Showing posts with label Robbie Williams. Show all posts
Showing posts with label Robbie Williams. Show all posts

Monday, 17 November 2014

ROBBIE WILLIAMS - 2014 ARTICLE - 'I played Robbie this song I'd been working on. It was called Angels'

Songwriter Ray Heffernan on spending Christmas 1996 with Robbie Williams


'I played Robbie this song I'd been working on. It was called Angels'

That's Robbie Williams with my mum Doris. This picture was taken in my mum's house on Griffith Avenue in Dublin 15 years ago.

One of the biggest thrills my two sisters, Mary and Vivienne, ever got was waking up to find Robbie Williams in their house.

"Hi, I'm Robbie," he said, introducing himself at breakfast.

"We know who you are," they screamed, before shooting back upstairs to put their make-up on.

It was one night during Christmas 1996 that I met Robbie Williams in The Globe Pub on George's Street in Dublin.

Myself and my friend were dressed the same with bleached blonde hair, and I assume Robbie thought we were in a boyband. He'd just left Take That and his solo career had stalled.

To be honest, I didn't really know who he was, as I'd just come back from working in Paris, but we clicked talking about music.

After more drinks, and me telling Robbie I was a songwriter, we decided to write some songs together.

We didn't waste any time, starting that night. I got the guitar out in my mum's house and played him this song I had been working on called 'Angels'. I had the first verse, some of the chorus and some of the second verse.

This picture was taken the next night, when we played this new song 'Angels' to my family. We didn't know we had a hit on our hands -- we were too busy partying.

In 1996, Dublin was about the coolest place in Europe, and here I was hanging around with Robbie Williams and, being 23, basking in the glory.

He was instantly recognisable, but hanging out with Robbie took some getting used to. First of all, he had all this cash in his pockets. He carried more cash than I had ever seen, so all sorts of things were possible.

I remember walking into a big sci-fi shop in Dublin which had life-size characters from 'Star Wars'. Out comes the wallet and Robbie bought the original Yoda and two stormtroopers.

Another day, we were walking down Dawson Street, and Robbie noticed a poor old guy begging. Out comes the wallet with 200 quid.

Generally, Robbie was a decent guy. He brought my sisters to a Boyzone gig and was touchingly protective about them.

Later in the week, we ended up going into a studio in Temple Bar and doing a demo of 'Angels'.

It was a success, and Robbie's people later offered me £7,500 if I signed a waiver which renounced any rights I had to the song. I took advice and ended up signing.

That was in April. I thought it would be an album track, but by the next Christmas it was all over the radio, going on to sell millions.

For a long time, I was angry about this, but as you get older you see things differently, especially through my work as an occupational and musical therapist, helping adults and children with autism.

I've always done music on the side and the 'Angels' connection has opened doors to publishing companies and earned me a few quid.

It makes a good story, too, especially when I get to the end. The night after I met Robbie in The Globe, I walked into the same pub and who was there? Morrissey.

Ray's group, The Grand Canal Band, release an album 'New Dress Woven' through Universal Italy next year

In conversation with Ken Sweeney

Weekend Magazine

Thursday, 30 October 2014

ROBBIE WILLIAMS - LET ME ENTERTAIN YOU 2015 TOUR


Robbie announced today that he will be embarking on a brand new tour next year and tickets go on sale next week!

The Let Me Entertain You Tour kicks off in March 2015 and will see Robbie return to countries he hasn’t visited for a while as well as head to others he’ll be entertaining for the very first time. Take a look at the full list of dates and venues below.

Date\ Country City                     Venue
25 Mar Spain Madrid         Barclaycard Center
27 Mar Spain Barcelona Palau Sant Jordi
30 Mar France Paris         Zénith
5 Apr Lithuania Kaunas         Žalgirio Arena
6 Apr Latvia Riga          Arena Riga
9 Apr Russia St. Petersburg SKK Peterburgsky
12 Apr Russia Moscow         SC Olimpiyski
15 Apr Belarus Minsk         Minsk Arena
17 Apr Poland Kraków         Kraków Arena
18 Apr Slovakia Bratislava Slovnaft Aréna
21 Apr Austria Linz                 TipsArena
26 Apr UAE Abu Dhabi du Arena
2 May Israel Tel Aviv    Hayarkon Park

Read more at http://www.robbiewilliams.com/news-blogs/let-me-entertain-you-tour-2015-dates-announced#agpQaBfoJw3tZc42.99



Sunday, 21 September 2014

ARTICLES - TAKE THAT Looks Magazine - April 1993

TAKE THAT - THEY STRIP AND TEASE
TAKE THAT - The Uncensored Version
Interview: Sue Wheeler

It's taken weeks to set up an interview with Take That, the biggest thing to come out of Manchester since Bernard Manning. It seems when they're not recording, they're jetting to New York or appearing on TV, but today's the day...

I'm due to meet the boys at a hotel in Kensington and I've been told by their press officer that they can give me two hours of their time - not a minute more! I pull up in a taxi, laden with bags full of clothes, and stumble towards the hotel entrance. A swarm of hungry fans (all female) scrutinize me closely - they'd probably lynch me if they knew whose bedroom I was about to visit. I make my way towards room 405, and as I walk along the corridor I can hear the most uproarious cheering coming from the far end. Gary, wearing just a toweling robe and a huge smile, opens the door and welcomes me in. The noise is deafening. Howard is trying to talk on the phone, but he can hardly hear a word above the din. The boys are ecstatic. They've just heard that their single, Why Can't I Wake Up With You?, has catapulted way up the charts and they couldn't be in a better mood. Punching the air in unison they suggest celebrating with Perrier all round. Conscious of the limited amount of time I have with them, I suggest they get dressed (or undressed) ready for the photo shoot. Jason cries out in his Mancunian tones to 'Cookie' (their make-up man) to stand by with the powder as the camera starts clicking.

One hour, and several gorgeous photos later I'm perched on a bed with the boys, tape recorder poised. Is Gary a virgin? Would Howard take Cindy Crawford up to his bedroom? Do stone-throwing fans make them mad? They don't seem to mind what kind of questions I throw at them. Read on to discover what they told me...

YOUR VIDEO FOR WHY CAN'T I WAKE UP WITH YOU? IS QUITE DIFFERENT TO OTHERS YOU'VE DONE. WHAT DO YOU PERSONALLY LIKE BEST ABOUT IT?


MARK: This was a totally new approach for us. We're used to being on a video shoot for a day and knowing exactly what we're going to be doing. With this, there was a lot more time spent on individual people. The lighting was done to perfection and it was shot beautifully. It's a bit dreamy and you can sort of get taken in by the dream.

JASON: We didn't dance at all. We just kind of did our own thing, which is why I think it's so sensual. The video is sexy looking without us really doing anything.

ROBBIE: I think the song really suits the video and an essential part of the video was, of course, finding the dead stoat frozen in the middle of the moat, don't you think? (Yes...er...moving right along now lads.)

SO YOU SUPPORT THE THEORY THAT SEX SELLS RECORDS?

Sunday, 24 August 2014

ARTICLES - ROBBIE WILLIAMS Independent on Sunday, 1 December 1996

The artist formerly known as the pretty one 
Independent on Sunday, 1 December 1996

But the Take That diaspora has gone against expectations over the past seven months or so. Gary Barlow's bid for instant George Michael- hood began with terrifying efficiency. Gary took a succession of grown- up music journalists for rides in his sportscar and introduced them to his girlfriend, then had a No 1 single. But his album, set for release in October, was withdrawn from the schedules at the last minute on the grounds that it was not quite clinical enough for the American market.

The Robbie Williams approach seemed more fun. Robbie trumped Gary' s earnest niche-marketing endeavour with a stroke of brazen genius by simply covering George Michael's "Freedom", then put the icing on the cake of the resultant No 1 single by beingsighted at a Brian Eno book-launch. Unfortunately, he then ate the cake.

ARTICLES - ROBBIE WILLIAMS Attitude Magazine, August 1996 Back For Good

Robbie Williams - Back For Good
Attitude Magazine, August 1996


In a brutally honest interview Robbie Williams tell Ben Marshall about his love/hate relationship with Take That, Gary Barlow and how he wants to be "a fucking cool c**t".

I once saw a cow just a few seconds before a farmer fired a bolt into his head. It ambled serenely toward his slaughter, body fattened to beefy perfection, eyes docile and tragically trusting. A moment later it went to cow heaven in a halo of blood and brains. I guess that´s the way Take That looked the day they signed their record deal. Kind of. But if you are to believe Robbie Williams, Gary Barlow probably looked more like the executioner.

Traces of big dumb faith still flashe Robbie´s eyes as he relays his tragi-comic tale. Eight number ones, 15 million record sales and tidal waves of attention don´t wash the trust from a boy´s eyes, and cynicism and life-saving scepticism are things that did not come naturally to Robbie. He had to work at them. He had to learn to be hard the hard way.

We have now spent seven hours together. We have drunk ourselves into a state of glazed immobility and beyond into frenzied animation. Robbie presently trying to explain why he never felt quite comfortable as the most popular member of the most successful British pop act this decade. For Robbie though, a simple explanation will not suffice. Robbie has to illustrate his reasons. He has quite literally to perform them.

"Ya see," he says, "we were a fucking great pop band but then at the end of the day, that is all we were."

He swaggers camply across the room fluttering his eyelashes at an imaginary stadium and shoving his chin forward in a Page Seven Fellah kind of look.

"I mean," he continues, "how seriously can ya take a band when they end the show going like that?"

He drops suddenly to one knee and thrusts a clenched fist into the air. The gesture, so quintessentially Take That, is at once rousingly triumphant and curiously supplicant.

"I mean, I didn´t wanna fucking do that!" He repeats the gesture.

ARTICLES - ROBBIE WILLIAMS Hanging Out Transcript MTV, August 1996

Hanging Out Transcript 
MTV, August 1996

Anthony: Who is it?
Robbie: It's Rob!
Anthony: Hi, what are you up to?
Robbie: I'm on MTV!
Anthony: I know you're on MTV, what time are you finishing?
Robbie: I'll be home soon! Have you got any cheese and peas?
Anthony: What? Cheese and peas!
Robbie: Cheese and peas! What?
Anthony: That's just crazy talk!
Robbie: You are live on MTV, to the MTV viewers, of Europe, turn on the television!
Eden: (shouting) "OPEN THE TEL!!" (these were her words, and her grammar mistake)
Robbie: We have this cable thing, when you can't turn it on.
Anthony: Hey, I've done it, you're live!
Robbie: Hi mate
Eden: Robbie, after you have been chatting to him, I wanna ask him something
Robbie: OK
Eden: So, Anthony, what can you tell us about Robbie that nobody else knows?

ARTICLES - ROBBIE WILLIAMS TV Hits Magazine, July 1996

The Press Conference
TV Hits Magazine, July 1996

Much cheering and clapping followed before Robbie finally appeared doing what can only be described as a 'chicken walk' across the stage before sitting down, moaning about England being knocked out of Euro '96. This is the press conference exactly as it happened.......

Have you a message for your German fans? 
It'll be out soon. I'm really looking forward to coming out to everywhere, not just Germany - the whole world. I want to be seen and heard as an artist and also have a lot of fun along the way - I'm dying to get out of my local place.

Are you thinking about a career in TV at all?
I don't know really. I'm concentrating on music at the minute. I'm going to strike out the possibility of doing anything on popular TV for the while I've got to write an album, you know! There's a big hype surrounding all this ... I've got to write it all, you know what I mean!

There's speculation that Noel Gallagher's writing you a song is this to happen?
I suppose you've got to roll with it really, (everybody laughs), take your time, you've gotta say what you say, don't let anybody get in your way! I don't know, there might be, there might not be. Noel said he's quite willing to write me a song and I'd love for him to, but we'll see what happens...I might get Bonehead to write me a song instead! I might get Guigsy to do me an ambient house mix!

ARTICLES - ROBBIE WILLIAMS The X-(Take That) Files Smash Hits Magazine, July 1996

The X-(Take That) Files
Smash Hits Magazine, July 1996

It's Thursday June 27, the day after Robbie Williams' infamous Freedom press conference, and by rights he should be feeling on top of the world. Chris Evans raved as he played Rob's debut single, a rocking George Michael cover of the teen idol anthem Freedom '90, and even weirdy-beardy George gave his public seal of approval. More controversial was the piece in The Sun titled 'I hate you, Barlow' which quoted Rob from a recent magazine interview, saying, "Gary's selfish, greedy, arrogant and thick. He's a clueless w*****." Ouch! Following a 12-month absence from the charts, Robbie Williams is the name on everyone's lips again - it's everything he's dreamed of. But as I arrive home from work that night, there's a message on my answer machine...and he doesn't sound happy. "It's Rob. I was just calling to see what you thought of last night. Call me back." I do, and the mood is low...
"How are you? I ask. "Not very well. I've got my hindsight T-shirt on and I hate myself for what I've said. Have you seen the newspapers?". "Yeah". He sighs, wearily. "I'm so disgusted with myself for saying those things. I'm so upset. I want to phone Gary and tell him how sorry I am. What must he think of me? The stupid thing is, I didn't mean it. Those aren't my feelings. But when I gave that interview, months ago, my head was still swimming from the whole Take That thing and...I've got no-one to blame but myself...I just wish I hadn't...I'm gonna go for a walk, I think."

ARTICLES - ROBBIE WILLIAMS The Press Conference Royal Lancaster Hotel, 26th June 1996

The Press Conference

Royal Lancaster Hotel, 26th June 1996


This picture was given out at the press conference along with the two statements below.

At 1 minute past midnight on 26th June 1996, Robbie held a press conference at the Royal Lancaster Hotel, London, W2. This statement was handed to the press as they entered.

"I'm here tonight to celebrate my freedom. There's been a lot of talk and speculation in the media and on the street about what has really happened since I left/was sacked from Take That.
I'd like to clear the air tonight but don't want to dwell on the past. I think I've said everything I've got to say about that chapter in my life. You've heard my new single which will be released on July 29th and it's the future that concerns me now. I'm happier than I've ever been in my life so please don't make me slag people off....but if you insist.
I've got a new family now, who've been totally supportive of me over the last few months - thank you JF and everybody at EMI/Chrysalis.To be honest with you I don't feel that I can really deal with talking about BMG and I don't want to give them any more of my time. If you've got any questions about anything else I'll be happy to answer them and my manager, Tim Abbot is here - he can fill you in a little more dispassionately about how we got to this point."

ARTICLES - ROBBIE WILLIAMS TFI Friday, CH4 UK, April 1996

Robbie on TFI Friday 
TFI Friday, CH4 UK, April 1996

Rob:- Evening Chris, evening Nigel and the boys.
Chris Evans:- Hair pie Robbie

Rob:- No thanks, I've just had my Slimfast - I'm alright.

Chris Evans:- You've just had your Slimfast

Rob:-Yeah

Chris Evans:- You've got a thing about your weight at the moment haven't you?

Rob:- Yeah, well, yeah. I came into rehearsals before and I saw... there was a side shot and I thought I've got to keep my hand...can we go back to that camera...I'm gonna keep my hand there for all that.

ARTICLES - ROBBIE WILLIAMS Daily Telegraph, 27 February 1996 Pop star faces £200,000 bill in court humiliation

Pop star faces £200,000 bill in court humiliation 
Daily Telegraph, 27 February 1996

An out-of-court settlement, thrashed out between lawyers for Williams and BMG on Sunday night, will allow him to launch a solo career but will stop him from signing to another record label. The singer must also pay BMG's legal fees estimated at £200,000. Williams had claimed that the terms of his contract, which gave BMG control over the career of Take That members even after they left, constituted an unreasonable restraint of trade and so unenforceable.

During the 90-second hearing before Mr Justice Lightman, the judge described the settlement as "very sensible". John Preston, chairman of BMG Records (UK), said the company was "delighted" Williams had accepted the validity of its contract. "It is a shame that Robbie didn't come and talk to us before he started litigation," he said in the statement. "We still want the best for him and all the other members of Take That." Williams also dropped his claims against Arista Records in the United States and withdrew his objections to Take That's Greatest Hits album, due out next month. "Contracts are there for a purpose, for the good of both parties, and are not there to be abused" Williams, who had been unhappy remaining with a record company still representing his former colleagues, now faces an uncertain future trying to carve a solo career with a record company with which he has fallen out so publicly.

ARTICLES - ROBBIE WILLIAMS The Independent, 14 February 1996

Broken promises as Take That can take no more 
The Independent, 14 February 1996

The decision will affect the legal position of Robbie Williams, who left the best-selling band last year and faces the band's record company, RCA, in the High Court in two weeks' time in an attempt to break his contract and start a solo career. It isrumoured he plans to team up with Noel Gallagher of Oasis once free of RCA.

Take That's singer-songwriter Gary Barlow said the group was splitting after the release of their next single, a cover of the Bee Gees song "How Deep Is Your Love?", and a greatest hits album. "Thanks for everybody' s support in the last five years.You've been absolutely fantastic ... but unfortunately the rumours are true," the 25-year-old told a press conference in Manchester.

Williams, who was celebrating his 22nd birthday, said:"Frankly, I am more concerned about how Port Vale do in the cup tonight [but] Take That were six years of my life and I know how the guys are feeling."

ARTICLES - ROBBIE WILLIAMS Reuters, 13 February 1996 Take That to split up

British pop group Take That to split up 
Reuters, 13 February 1996

The band said their last concert would be in the Netherlands in April. Take That have scored seven number one hits and sold around four million singles and three million albums in Britain alone. They have a huge teenage following in many European countries. It has long been rumored that Barlow would go solo like George Michael, who has achieved huge success since the break-up of the group Wham!.

"We do care an awful lot about the fans and we hope the fans will understand. We feel we have done all we can as Take That," group member Mark Owen said. The band's management may set up phone lines for distressed fans. Since rumors Take That were splitting up came to a head Monday, hundreds of tearful fans have flooded the switchboard of their record company RCA pleading for the group to stay together. In Germany, fans have been especially distraught and the German government also encouraged the band to set up the phone lines. German fans were among those who reacted worst when band member Robbie Williams quit the group last year.

ARTICLES - ROBBIE WILLIAMS Minneapolis Star Tribune , 22 July 1995

Berlin sets up hot line for teens mourning band's split 
Minneapolis Star Tribune , 22 July 1995

Berlin officials have set up a special crisis hot line to deal with distraught teenagers who can't accept the fact that Robbie Williams has left the British pop group Take That.

Swept up in hysteria, about 50 teenage girls continued a day-and-night vigil at the Hilton Hotel in Berlin, vowing to remain outside the hotel until Williams returns to Europe's top recording group. Williams announced Tuesday that he was leaving the band, the most successful British group since the Beatles.

Officials in other German cities reported similar displays of public mourning, but the situation was worse in Berlin, they said, because Take That performed there during its European concert tour this spring.

The vigil participants, sitting on the curb outside the Hilton, where Williams and the other four Take That members had stayed in Berlin, said they had chosen this sacred site to draw him back.